Today marks the release of the late Allen Toussaint’s follow-up to his Joe Henry-produced 2009 album The Bright Mississippi. By now, you’ve read how the recording of American Tunes preceded Toussaint’s untimely passing by only a couple of weeks. And Joe himself has indicated in interviews how Toussaint very nearly backed out of those final sessions.
Which is to say that American Tunes is not merely a wonderful record – which it certainly is – but also a great blessing, allowing us to hear Allen Toussaint’s tremendous talent represented one last time.
So please enjoy this affecting review of American Tunes by our good friend and exceptional writer, Josh Hurst.
With all of the excitement surrounding Nowhere Else Fest, let’s not forget that Allen Toussaint’s final album of recordings American Tunes will be released on June 10. You can listen to the whole thing over at NPR Music.
I had the chance to hear it in its entirety over the weekend, and I can tell you it is a worthy successor to The Bright Mississippi but also very much its own thing. Toussaint’s death was a shock to all, but it is substantial comfort to hear the master one last time.
Nonesuch has posted a lovely essay by Michael Hill detailing the making of Allen Toussaint’s final album, American Tunes. You can read several excerpts from the liner notes, including quotes by album producer Joe Henry.
If there was a silver lining to the sudden passing of Allen Toussaint late last year, it was the news that he had just completed a record with producer Joe Henry. Toussaint was deeply connected to Joe Henry for the last decade of his life, with the two collaborating on multiple projects including The River In Reversewith Elvis Costello and Toussaint’s own late-period masterpiece The Bright Mississippi.
Now comes word that Nonesuch will release their final collaboration, American Tunes, on June 10. This long-gestating project includes Toussaint’s take on songs by many New Orleans and American song giants, such as Professor Longhair, Duke Ellington and Paul Simon. The record is anchored by the rhythm section of Jay Bellerose and David Piltch, with Greg Leisz, Charles Lloyd, Rhiannon Giddens, Bill Frisell and Van Dyke Parks. The album was recorded during two sessions: the first in New Orleans in 2013 and the second in Los Angeles in October, 2015.