With all of the excitement surrounding Nowhere Else Fest, let’s not forget that Allen Toussaint’s final album of recordings American Tunes will be released on June 10. You can listen to the whole thing over at NPR Music.
I had the chance to hear it in its entirety over the weekend, and I can tell you it is a worthy successor to The Bright Mississippi but also very much its own thing. Toussaint’s death was a shock to all, but it is substantial comfort to hear the master one last time.
Chely Wright’s new album I Am The Rainwill be released in September.
Canadian singer-songwriter Rose Cousins has recorded a new record with JH and will be released later this year (you can pre-order the record from her website to receive it sometime prior the official release).
JH will open for Rhiannon Giddens at her date this summer at Prospect ParkBandshell as part of the Celebrate Brooklyn! series (announcement on May 10). (UPDATE: Sorry, this was from 2015 – my mistake. But if you are going to be in the NYC area in July, why not check this out?)
And speaking of Ribot, as you may recall, he and JH performed as a duo at the recent Big Ears Festival in Knoxville (read Josh Hurst’s review of the show here). You can watch much of the performance on YouTube in four parts (see below).
If there was a silver lining to the sudden passing of Allen Toussaint late last year, it was the news that he had just completed a record with producer Joe Henry. Toussaint was deeply connected to Joe Henry for the last decade of his life, with the two collaborating on multiple projects including The River In Reversewith Elvis Costello and Toussaint’s own late-period masterpiece The Bright Mississippi.
Now comes word that Nonesuch will release their final collaboration, American Tunes, on June 10. This long-gestating project includes Toussaint’s take on songs by many New Orleans and American song giants, such as Professor Longhair, Duke Ellington and Paul Simon. The record is anchored by the rhythm section of Jay Bellerose and David Piltch, with Greg Leisz, Charles Lloyd, Rhiannon Giddens, Bill Frisell and Van Dyke Parks. The album was recorded during two sessions: the first in New Orleans in 2013 and the second in Los Angeles in October, 2015.
I have to confess that I somewhat glossed over the release of Birds of Chicago’sReal Midnight back in February. Having received the Kickstarter digital copy back in November, it just kind of fell below my radar when it was officially released. In fact, I really only started spending quality time with the album over the past two weeks, and it is something quite special.
As luck would have it, our old friend,Josh Hurst, has revamped his own website and has just reviewed Real Midnight. As he often does, he finds the perfect words to describe the spirit of this album. As you may recall, Real Midnight was the final album recorded at Joe Henry’s Garfield House studio. Jay Bellerose plays drums on the record, and Rhiannon Giddens provides vocals and fiddle on a couple of tracks.
Nonesuch has released a digital single of a cover of the classic Dylan song “Forever Young,” performed by Rhiannon Giddens and Iron & Wine. The song was produced by Joe Henry and featured in the series finale of NBC’s Parenthood.
Giddens, as you’ll recall, has worked with JH as both a member of the Carolina Chocolate Drops and as a solo act (she was a guest on last year’s JH projects Look Again To The Wind and Caitriona O’Leary’s The Wexford Carols).
Rhiannon Giddens profile is likely to raised even further in the coming weeks with the release of her T Bone Burnett-produced solo debut, Tomorrow Is My Turn (due Feb. 10 on Nonesuch). She was recently featured in a lengthy feature by The New York Times’ Jon Pareles and also participated in Burnett’s hand-picked ensemble for 2014’s The New Basement Tapes.